Friday 20 May 2011
Thursday 19 May 2011
Hélio Oiticica
Helio Oiticica, Bolide 3 Caixa 3 Africana, 1963
http://www.nytimes.com/2007/03/17/arts/design/17oiti.htmlWednesday 18 May 2011
Kostabi World
Mark Kostabi/ Useless Knowledge
The James Kalm Report (click Post Title) catches up with Mark Kostabi. 'His' work always seemed to be on the cover of Flash Art in the 80s when I was at art college. I remember it better than Kippenberger's (see Post below.) In this time of Painting's undoubted revival (it will not last, but it will come back again, and then it will go again...) there's something in the air that feels like nostalgia for 80's painting. But it was 'bad' in every way, and perhaps now the 'Pictures Generation' that preceded it has more currency with contemporary art today. Still, can't help but liking the encounters that happen throughout James Kalm's report above.
Tuesday 17 May 2011
Kippenberger and Picasso
Martin Kippenberger/ Picasso Museum, Malaga
Nearing the end of its run now, this show (click on Post Title for link) encapsulates the myriad of approaches Kippenberger's practice took. However, there is a tighter focus brought to bear on the late series of paintings he made in response to particular images of the 'grieving Jacqueline' and also Picasso in his 'white trunks/ underpants'. These latter images were to inspire Kippenberger's own 'pants' self portraits.
Kippenberger/ Self Portrait/ 1988
His name is still often cited- particularly amongst current German painters- as an abiding influence. Less, probably, to do with the ethos of the 'bad painting' of the 80s which he dominated, but more to do with the sheer weight and presence of his massive output and personality. For me, the best part of the show was a large selection of his drawings made on hotel notepaper. Many of these appeared to depict, and predict, his death just a couple of years after they were made.
Friday 6 May 2011
Black and Shaw
George Shaw
Two divergent painters on the 2011 Turner Shortlist, George Shaw and Karla Black, make for a very interesting comparison of materials and methods. Click on Post Title for link to video, for an honest and intelligent appraisal of his work by Shaw himself. His show at Baltic is nearing its end, and interestingly a series of influential movies had been selected by the artist to accompany the show- The Loneliness of the Long Distance Runner for instance. This is common enough amongst painters- Peter Doig's Studio Film Club comes to mind- but a bit like artists listening to music in the studio, is this an over-played and unnecessary embellishment of the painters' process? The filmic narrative held within the rectangle of the screen, and the painted narrative held within the limit frame of a painting can have strong associations at times. But perhaps the strong influence that a movie or piece of music has on a painter is a soft option for fleshing out the concerns of a work.
Two divergent painters on the 2011 Turner Shortlist, George Shaw and Karla Black, make for a very interesting comparison of materials and methods. Click on Post Title for link to video, for an honest and intelligent appraisal of his work by Shaw himself. His show at Baltic is nearing its end, and interestingly a series of influential movies had been selected by the artist to accompany the show- The Loneliness of the Long Distance Runner for instance. This is common enough amongst painters- Peter Doig's Studio Film Club comes to mind- but a bit like artists listening to music in the studio, is this an over-played and unnecessary embellishment of the painters' process? The filmic narrative held within the rectangle of the screen, and the painted narrative held within the limit frame of a painting can have strong associations at times. But perhaps the strong influence that a movie or piece of music has on a painter is a soft option for fleshing out the concerns of a work.
Sunday 1 May 2011
Like Drinking Turps?
Dubliners no.1
With the current renovations at the National Gallery of Ireland, the Jack B. Yeats Collection has been rehoused in a smaller, more intimate suite of rooms that give a stronger overall impression of the works on show compared to previously. Over at the Kerlin, Brian Maguire's 'Notes on 14 Paintings' brought me to consider formal and thematic links between the two, particularly in view of a recent review of Maguire's show which attempted to make parallels with Francis Bacon. It seemed off the mark to me at the time, and more so now. Yeats and Maguire are more comfortable bedfellows.
From the Jack B. Yeats Collection, National Gallery of Ireland
Brian Maguire at The Kerlin Gallery, Dublin
Dubliners no.2
Alexis Harding at The Rubicon Gallery, Dublin
Shiva Linga at The Douglas Hyde Gallery, Dublin
Shiva Linga at The Douglas Hyde Gallery, Dublin
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Almost impossible to get hold of following its publication in 2009, the 2010 second edition of Tony Godfrey's Painting Today may sell o...