Notes on Colour Mixing

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Relational Aesthetics (1963)

on September 04, 2018

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Fritz Glarner/ Color Drawing for Relational Painting/ 1963

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Bravo's Next Great Artist

About a year ago myself and Susan were discussing what was then a rumoured 'America's Next Top Model/ProjectRunway/Pop Idol, type show featuring artists. This has come to be and I have to admit I have watched the entire series. Being an avid ANTM viewer I expected much of the same, fluff tv with the prerequisite bitching and backstabbing, this is exactly what I got, twofold. Sarah Jessica Parker is a producer on the show and makes a couple of appearances, professes to be an avid art lover and squeals quite excessively. Some of the work is ok and a lot of it is awful. It is truly hoffifying and yet compulsive viewing. Be warned! (I know this is an unusual post for this blog but I had to share this)

Patrick Procktor Exhibition

In a previous post NOCM had highlighted the work of Procktor, having chanced upon his 'Long Live the Great Leap Forward' of 1965-67 which featured in an old copy of Studio International (the work is difficult to trace, or perhaps had been destroyed in the catastrophic studio fire Procktor suffered). Procktor's work, always interesting in any time, appears in recent years to have renewed relevance within the revival of certain figurative approaches in contemporary painting. His fairly divergent styles can be seen to connect now to painters such as Alex Katz, Peter Doig and Elizabeth Peyton. In fact, a photograph of Procktor and David Hockney throws up an interesting comparison with the Peyton work below. The Katz comparison can be seen to the right, as another of Procktor's works enters NOCM's Top 10 Paintings. Elizabeth Peyton/ David Hockney, Powis Terrace Bedroom/ 1998 There is now the chance to look at Procktor's work at first-hand again, with a m...

Tuymans' Palette

'Belgian artist Luc Tuymans is widely seen as having contributed to the revival of painting in the 1990s.' So says the David Zwirner press release relating to the gallery's current show of Tuymans' work (click on Title for link.) The consistently insipid pallor of his palette has certainly always been suggestive of a medium struggling out of its sick bed. But therein lie the limitations of his frame of reference. As a 'history' painter Tuymans' has a lot to say; but is it just me who finds all those earthy colours a real drag. As for the countless imitations of his pale, washed-out palette, don't get me started.....

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