Here is a recent video interview with Irish artist Eoin Llewellyn in his studio in Berlin on the occasion of his exhibition "Collisions" which was held in September 2011 in the Theatergalerie Bremen.
Wednesday 7 December 2011
Monday 21 November 2011
From Tomaselli to Keaton...
'Painting Between the Lines' at CCA Wattis Institute for Contemporary Art
Buster Keaton on set of 'Film' (1965)
(see link to A Piece of Monolgue at bottom of page)
Monday 17 October 2011
Niamh O'Malley: 'Model'
Friday 7 October 2011
Tuesday 20 September 2011
Dennis Hopper Photographs 1961-67
'Jasper Johns', contact sheet detail
If you can quickly skip the fly leaf recommendation by Piers Morgan (!?) then this new Taschen book is a rewardingly hefty and detailed feast of information and images. Photographs from around the LA art scene, on film sets and on the Civil Rights march from Selma to Montgomery were amongst Hopper's many subjects. Click on Post Title for link to the exhibition at MOCA which preceded this book, shortly before the actor's death. MOCA's website also carries a nice blog called The Curve.
Civil Rights March
Friday 9 September 2011
Tuesday 23 August 2011
Venice 1966
Came across this old Studio International today, and was struck by the fact that it coincided with Venice 2011- thus, exactly 45 years ago, this was how the Biennale was covered by one of the major art mags of the time. It would be interesting to find out if the film was actually shown on the BBC and if it is still obtainable. I also notice that in amongst the various protagonists is Alan Gouk, the Belfast born painter. Click on Post Title to see work of his in John Moores 22.
Thursday 4 August 2011
Sunday 10 July 2011
Fumes of Formation
Click on Post Title for link to this show at QSS Gallery, Belfast, running to July 29th; four recent graduates from Belfast, Cork and Limerick with interests in construction/ deconstruction of materials in painted and 3-dimensional formats. Evelyn O'Connor will be the next interview in Subjects of the Painter at the end of July.
Evelyn O'Connor
Colette Cronin
Christopher James Burns
Gerard Carson
Friday 8 July 2011
Provisional Painting
Raoul De Keyser: Untitled, 2006, oil on canvas, 351⁄2 by 493⁄8 inches.
'Provisional painting is not about making last paintings, nor is it about the deconstruction of painting. It’s the finished product disguised as a preliminary stage, or a body double standing in for a star/masterpiece whose value would put a stop to artistic risk. To put it another way: provisional painting is major painting masquerading as minor painting.'.
'Restless painters tend to work in several different manners at once or embark on new approaches in serial order.'
I came across this article sometime ago and thought some of you might be interested,
Wednesday 6 July 2011
Cy Twombly
Cy Twombly/ Untitled/ 2001
The Artist's Shoes, Lexington/ 2001
Sunday 3 July 2011
Mary Delany's Cuttings
Hand coloured and cut paper, circa 1772, perhaps the first actual collage works...The extraordinary story of Mary Delany's 985 botanical collages, which she began aged 72, could be this summer's best read. Canadian poet Molly Peacock interweaves bits of her own life around this extraordinary biography, with really incisive observations on what the medium of collage can achieve. One early comment, that this work raises questions about the difference between accuracy and realism, still has a strong resonance with why collage continues to be employed by many current practitioners. Click on Post Title for a bit more information on the entire collection which is kept in the British Museum.
Monday 27 June 2011
Tuesday 21 June 2011
Frank Stella... and the Simulacrum
This is a text, that I keep coming back to, by the 'neo-geo' artist Peter Halley "Frank Stella... and the Simulacrum" Published in Flash Art, No. 126, January 1986. (Click on the post title) Halley argues that although Stella is seen as part of the modernist tradition his work "conforms closely to a model of post-modernism that is dominated by ideas of hyper-realization, simulation, closure, and fascination."
The video is an interview with Stella recorded 14 years earlier (simultaneously funny and obnoxious!)
Saturday 18 June 2011
Monday 13 June 2011
Medulienka
Click on Post Title for link to 1972 Munich Olympics U.S.S.R.v.U.S.A. Basketball Final.
The colour images broadcast by European and U.S. television did not allow for conclusive proof that Sergei Belov's foot was over the line when making the winning pass to Alexander Belov. The images broadcast by Soviet television were in black and white, which allowed for a clearer contrast magnification showing that his foot remained behind the line.
The work 'Medulienka' proposes that Belov bought his girlfriend a dress to celebrate his team's gold medal success, which is entirely speculative. However, a statement of fact is that Belov died only two years after his marriage, and six years after the winning basket of 1972, at the age of 27.
The colour images broadcast by European and U.S. television did not allow for conclusive proof that Sergei Belov's foot was over the line when making the winning pass to Alexander Belov. The images broadcast by Soviet television were in black and white, which allowed for a clearer contrast magnification showing that his foot remained behind the line.
The work 'Medulienka' proposes that Belov bought his girlfriend a dress to celebrate his team's gold medal success, which is entirely speculative. However, a statement of fact is that Belov died only two years after his marriage, and six years after the winning basket of 1972, at the age of 27.
Medulienka/ 2011
Sunday 5 June 2011
Paul McKinley at the third space
Paul McKinley's show, 'Palisade', deals with our attitudes and relationship to the landscape of historical sites which are sometimes also termed as places of 'Dark Tourism'. A compelling series of works which not only grapple with how the narratives of the sites can be depicted, but also finds ways of presenting the surfaces of the works as sites of conflict in themselves- several of the works balance finely between matt and glistening paint, drawing you in to picture spaces which are at once seductive yet uncomfortably haunting. Show runs to July 2nd. McKinley is represented by Kevin Kavanagh Gallery in Dublin.
Friday 3 June 2011
Now's the Time
Amy Sillman/ Cliff 1/ 2005
Click on Post Title for link to a somewhat wistful but nevertheless great article by painter Amy Sillman in the new Summer 2011 edition of Artforum. It seems there's more in the air just now to do with AbEx, than with my previous reflections in Post May 18th that it was 80s painting that seemed to be resurfacing (although previous Posts April 12th and 13th, and August 18th had a bit to do with AbEx affairs.) There again, the legacy of the 'expressive gesture' in painting is certainly around a lot just now- maybe it's more a conjoining of AbEx and 80's Bad Painting that's in our time just now.
Friday 20 May 2011
Thursday 19 May 2011
Hélio Oiticica
Helio Oiticica, Bolide 3 Caixa 3 Africana, 1963
http://www.nytimes.com/2007/03/17/arts/design/17oiti.htmlWednesday 18 May 2011
Kostabi World
Mark Kostabi/ Useless Knowledge
The James Kalm Report (click Post Title) catches up with Mark Kostabi. 'His' work always seemed to be on the cover of Flash Art in the 80s when I was at art college. I remember it better than Kippenberger's (see Post below.) In this time of Painting's undoubted revival (it will not last, but it will come back again, and then it will go again...) there's something in the air that feels like nostalgia for 80's painting. But it was 'bad' in every way, and perhaps now the 'Pictures Generation' that preceded it has more currency with contemporary art today. Still, can't help but liking the encounters that happen throughout James Kalm's report above.
Tuesday 17 May 2011
Kippenberger and Picasso
Martin Kippenberger/ Picasso Museum, Malaga
Nearing the end of its run now, this show (click on Post Title for link) encapsulates the myriad of approaches Kippenberger's practice took. However, there is a tighter focus brought to bear on the late series of paintings he made in response to particular images of the 'grieving Jacqueline' and also Picasso in his 'white trunks/ underpants'. These latter images were to inspire Kippenberger's own 'pants' self portraits.
Kippenberger/ Self Portrait/ 1988
His name is still often cited- particularly amongst current German painters- as an abiding influence. Less, probably, to do with the ethos of the 'bad painting' of the 80s which he dominated, but more to do with the sheer weight and presence of his massive output and personality. For me, the best part of the show was a large selection of his drawings made on hotel notepaper. Many of these appeared to depict, and predict, his death just a couple of years after they were made.
Friday 6 May 2011
Black and Shaw
George Shaw
Two divergent painters on the 2011 Turner Shortlist, George Shaw and Karla Black, make for a very interesting comparison of materials and methods. Click on Post Title for link to video, for an honest and intelligent appraisal of his work by Shaw himself. His show at Baltic is nearing its end, and interestingly a series of influential movies had been selected by the artist to accompany the show- The Loneliness of the Long Distance Runner for instance. This is common enough amongst painters- Peter Doig's Studio Film Club comes to mind- but a bit like artists listening to music in the studio, is this an over-played and unnecessary embellishment of the painters' process? The filmic narrative held within the rectangle of the screen, and the painted narrative held within the limit frame of a painting can have strong associations at times. But perhaps the strong influence that a movie or piece of music has on a painter is a soft option for fleshing out the concerns of a work.
Two divergent painters on the 2011 Turner Shortlist, George Shaw and Karla Black, make for a very interesting comparison of materials and methods. Click on Post Title for link to video, for an honest and intelligent appraisal of his work by Shaw himself. His show at Baltic is nearing its end, and interestingly a series of influential movies had been selected by the artist to accompany the show- The Loneliness of the Long Distance Runner for instance. This is common enough amongst painters- Peter Doig's Studio Film Club comes to mind- but a bit like artists listening to music in the studio, is this an over-played and unnecessary embellishment of the painters' process? The filmic narrative held within the rectangle of the screen, and the painted narrative held within the limit frame of a painting can have strong associations at times. But perhaps the strong influence that a movie or piece of music has on a painter is a soft option for fleshing out the concerns of a work.
Sunday 1 May 2011
Like Drinking Turps?
Dubliners no.1
With the current renovations at the National Gallery of Ireland, the Jack B. Yeats Collection has been rehoused in a smaller, more intimate suite of rooms that give a stronger overall impression of the works on show compared to previously. Over at the Kerlin, Brian Maguire's 'Notes on 14 Paintings' brought me to consider formal and thematic links between the two, particularly in view of a recent review of Maguire's show which attempted to make parallels with Francis Bacon. It seemed off the mark to me at the time, and more so now. Yeats and Maguire are more comfortable bedfellows.
From the Jack B. Yeats Collection, National Gallery of Ireland
Brian Maguire at The Kerlin Gallery, Dublin
Dubliners no.2
Alexis Harding at The Rubicon Gallery, Dublin
Shiva Linga at The Douglas Hyde Gallery, Dublin
Shiva Linga at The Douglas Hyde Gallery, Dublin
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